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Showing posts with label Laura Sassi. Show all posts
Showing posts with label Laura Sassi. Show all posts

September 12, 2014

Perfect Picture Book Friday - Goodnight, Ark PLUS A Giveaway!!!

Dzoo dzoo-doo dzoo dzoo dzoo dzooooo!!!

(That's me playing my kazoo in celebration.  You didn't know I was a kazoo virtuoso, did you?  Just another of my many talents.  I am also a whiz at removing toothpaste "mints" from the sink :))

Welcome back to another year of Perfect Picture Book Fridays!

I am so looking forward to all the new picture books we're going to share!

Parents, teachers, readers, and writers take note!  There will be something for everyone to enjoy and learn from :)

I am thrilled to be presenting a wonderful book for the 2014-2015 PPBF kick-off, written by none other than your friend and mine, Laura Sassi.  Since this is part of her blog tour, we are fortunate to have her here with us today, sharing her thoughts on the illustrations and how parents and teachers can engage their kids through them.  She and her publisher, Zonderkidz, are also generously offering a giveaway, so one lucky reader will win a copy of this delightful book! (U.S. residents only - street address, no P.O. box - publisher's stipulation.)  Laura's thoughts and the giveaway will appear below the book listing.

Title: Goodnight, Ark
Written By: Laura Sassi
Illustrated By: Jane Chapman
Zonderkidz, August 2014, Fiction

Suitable For Ages: 4-8 (according to publisher, but I think ages 2-3 would enjoy it too :))

Themes/Topics: animals, bedtime, fear (of thunderstorms), language fun (rhyme, onomatopoeia)

Opening: "Beds are ready.
Food is stored.
Noah hollers,
"All aboard!"
Guests rush forward.
Furry, scaled,
woolly, feathered,
swishy-tailed."

Brief Synopsis: Two by two, the animals board Noah's ark.  They're supposed to settle down and go to sleep... but the heavy rain, thunder and lightning frighten them, so two by two they climb in bed with Noah!  How much can one bed take? And will anybody get any sleep?

Links To Resources: talk about onomatopoetic words - what onomatopoetic words can kids think up?  Words for eating sounds? Engine noises? Musical sounds?; Noah's Ark coloring page #1Noah's Ark coloring page #2; talk about the bible story of Noah's ark - how is it like GOODNIGHT, ARK and how is it different?; talk about fears - is anyone afraid of storms?  What other things are frightening?  What can you do to feel safe and secure when you're frightened?; the animals are described as "furry, scaled, woolly, feathered, swishy-tailed" - what animals can you think of that are furry? scaled? etc.; please see Laura's thoughts below on ways to use the illustrations; here's the link to book trailer (in case it doesn't load properly here :)) https://www.youtube.com/watch?v=tRsc-pKmKwM




Why I Like This Book: This is a delightful story - an entertaining, clever, child-friendly twist on the original Noah's ark.  The text is the perfect length for young attention spans.  The rhyme is filled with fun onomatopoetic words that kids will enjoy joining in with.  The art is bright, colorful and engaging, filled with small details that will keep young listeners busy.  But possibly my favorite thing is the skunks who have a whole story of their own going on in the illustrations.  Start looking for them in the 4th spread and watch what happens :)

For the complete list of books with resources, please visit Perfect Picture Books.

The Importance of Illustration - Thoughts From Laura Sassi
(A lesson for writers, and an opportunity for parents, teachers, and kids :))

Author Laura Sassi
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One of the basic rules of picture book writing is that writers need to let the illustrations tell part of the story. I understood this in principle, but it wasn’t until I saw Jane Chapman’s delightful illustrations for GOODNIGHT, ARK that it really hit home. I mean, WOW! Her illustrations truly show that principle in action and are a great reminder for me, that as a writer, I should curb any lingering tendency to over-describe or over-prescribe my texts and let the illustrators do their jobs.  

Here, then, are some great examples of how Jane used illustration to add humor and even extra plot details to GOODNIGHT, ARK. You’ll have to look carefully, for they are subtly sprinkled throughout her rich and colorful spreads:
1.Extra Animals: In addition to the key players, Jane adds extra animal guests.  I found nine extra pairs. Can you?
2. Extra (funny!)provisions: The text makes no mention of specific provisions, leaving lots of room for Jane to add humorous extras like the canned cat food that rolls across the floor on the tippiest page in the story.  It took me several reads to notice them! What other funny provisions do you see?
3. Underwear!: Every child I’ve read my story to has howled at Jane’s humorous inclusion of polka-dotted boxers quietly hanging on the line to dry.  We’ve also chuckled over the toothbrush. Both nice touches, I would never have thought of. What other humorous extras can you find?
4. Extra Plot Layer:  I don’t want to give away the most exciting part, but a certain pair of creatures is instrumental in restoring balance on the ark. In her illustrations, Jane brings out the personality of this pair in a darling way, even hinting through their gestures that they planned the whole stinky thing.  I LOVE that extra layering! 

Thanks, Laura!  To see the other stops on Laura's blog tour (6 completed, 4 upcoming) please click HERE for the links.


And now for the giveaway!  All you have to do to be entered is leave a comment telling us something funny about bedtime: a favorite trick for getting kids to bed? an unusual bedtime routine? something kids won't sleep without? some clever way kids try to get out of bedtime?  Anything fun and bedtime-related.  Bonus point if it includes an animal in some way :)

My example (which does not include animals except as occasional topics of discussion) is that when my son was little, he was never ready for sleep when he got in bed.  Instead, he had what he called his "thinking time" which inevitably (Every. Night!) involved him getting up numerous times and coming to ask me such can't-wait questions as, "How much is infinity?", "Where does wind come from?", "How many teeth does a tyrannosaurus rex have?", and "Why is it called the Milky Way?"  To which I would respond knowledgeably, "Uh......." :)

Please leave your comment by Sunday September 14 at 5 PM EDT.  A winner will be chosen at random and announced next week.  One note: the publisher stipulates that the winner must reside in the U.S. and have a street address, not a PO box, so please let us know if you're commenting just for fun and are not eligible.

PPBF bloggers please be sure to leave your post-specific link in the list below so we can all come visit you!  Hurray!  Can't wait!!

Have a wonderful weekend, everyone!


January 7, 2013

Oh Susanna - Will Agents Rep Poetry?

Happy Monday Everyone!

It feels like ages since we had an Oh Susanna day, and the next question in the queue seemed like a good one for the start of a new year.

Penny asked: I have noticed when researching agent blogs, that a lot of them don't represent poetry. So what if you write poetry along with picture books/middle grade, etc.? Do you have to submit poetry on your own? Or will agents usually work with you to find a home for your poems, too?

This is the first time an Oh Susanna question has come in that I really had no experience with, but I think it's something a lot of you might wonder about, so I wanted to address it.  Since I don't have any direct, personal knowledge on the topic, I of course reached out to writer friends who might know the answer.  And being children's writers they were of course all wonderful and helpful and wrote back immediately with the best information they could provide.

Laura Sassi whose poems, stories, articles and crafts have appeared in many publications including Highlights for ChildrenCricketLadybugSpider, Focus on the Family’s Clubhouse and Clubhouse Jr.FamilyFun, and Pack-O-Fun and whose debut picture book GOODNIGHT, ARK is forthcoming from Zonderkidz, a division of HarperCollins says:

According to my contract, when I had an agent, she represented all of my writing, but what she was interested in were my rhyming picture books, so that's what I focussed on and sent her.  Not sure this answer helps in your question - except to point out that maybe part of the answer needs to be that it's a very individual thing.  Depends probably on name recognition of poet etc.

Iza Trapani, author and illustrator of many wonderful rhyming stories for children, including ITSY BITSY SPIDER (Whispering Coyote Press, 1993) and THE BEAR WENT OVER THE MOUNTAIN (Sky Pony Press 2012) as well as 2 poetry compilations - RUFUS AND FRIENDS RHYME TIME (Charlesbridge 2008) and RUFUS AND FRIENDS SCHOOL DAYS (Charlesbridge 2010) says:

My agent represents me on picture books, individual poems, poem collections, whatever I write. But that's our agreement. I am sure some agents may be only interested in picture books, rhyming or not. Poetry continues to be a hard sell...

Laura Purdie Salas (not to be confused with Laura Sassi :)) who is the author of many books and poems for children including
A LEAF CAN BE... (Millbrook Press, 2012) (which was  Perfect Picture Book HERE)
BOOKSPEAK! (Clarion, 2011) NCTE Notable; 2012 Minnesota Book Award
STAMPEDE! (Clarion, 2009) Finalist, 2010 Minnesota Book Award says:


Good question. I've run into that same thing. What seems to be the
typical case is that if an agent represents you for picture books and
novels, she will also submit your poetry, but only for book
manuscripts for traditional publishers. Not individual poems for
anthologies, magazines, etc. Poetry, in general, makes so little money
that agents don't have a whole lot of interest in representing it,
even if they personally love it. They know that it's just not all that
salable (can you hear me sob as I type that?).

Just my 2 cents. Interested to hear if others have different
experiences.


Amy Ludwig VanDerwater who is the author of FOREST HAS A SONG (Clarion 2013) and READING TIME (Wordsong, date TBA) and who you can visit at The Poem Farm and Sharing Our Notebooks in addition to her website linked to her name above has this to contribute:


I don't know the bigger answer to this question, only my own experience.  I met my agent through the generous introduction and sharing of my work by my teacher, Lee Bennett Hopkins.  Elizabeth Harding (Curtis Brown Ltd.) does represent and submit my poetry, and while I have not yet sold a picture book...she is encouraging me to write one.  

From this, I'd imagine that if you're already working with an agent, s/he would most likely work with you and your poems.  But poetry is such a tough sell these days, I wonder if agents hesitate to advertise that they might even read it.

I hope this helps?


Clearly this is a tough question to answer!  In general, it seems that if you write other children's genres, at least some agents will probably help you sub traditional book length poetry mss.  But it sounds like poetry by itself would be a hard way to secure an agent.  Thanks ever so much to Laura, Laura, Iza, and Amy for sharing their knowledge and expertise, and if anyone in the reading audience has experience in this area, please share!  We are all very curious to find out!  Catherine? Anyone?  Not to put you on the spot or anything :)

I hope we'll get some good information in the comments!  Thanks for a great question, Penny!

Have a wonderful day everyone! :)

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